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    Ahmed Adnan Saygun's Codes Relating to Nationalism in Polyphonic Music/Turkish Polyphonic Music
    (AHMET YESEVI UNIV, 2012) Yore, Seyit; Gokbudak, Z. Seckin
    The Republic of Turkey was founded on a nation-state basis as a nationalist modernism within the framework of Ziya Gokalp and Ataturk's ideas. This understanding influenced cultural and musical creation in Turkey. The composers combined the materials of national music with international polyphonic music techniques, and they created a nationalist polyphonic music as a new kind of music in accordance with the state system. Ahmed Adnan Saygun is one of the first-generation composers of this new kind called Turkish contemporary music. He emphasized nationalism in music with his musical works as well as his ideas, and came to the fore among other composers. Although a considerable amount of research has been done on Saygun and his works hitherto, there is yet no direct study on his nationalist ideas. This study investigates Saygun's codes relating to nationalism in polyphonic music/Turkish polyphonic music within the framework of the discipline of ethnomusicology and the qualitative research model involving document and content analysis techniques. The twelve codes, which have been identified as a result of this study, are defined and interpreted in the light of Saygun's ideas.
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    Place and Music: Multicultural Musical Recreation Place of Istanbul During the Ottoman Period
    (TURK TARIH KURUMU, 2012) Yore, Seyit
    SEYIT YORE: Place and Music: Multicultural Musical Recreation Place of Istanbul During the Ottoman Period (pp. 879-904) Music, as an element of culture, exists with society and its places through creation and consumption. Even if it is presented in everywhere, there are special places that people creates and consumes music together. These are the cultural elements of music. These places also determine how music is created, performed and consumed. Istanbul, which has been the representative of urban culture from Byzantium to the present, entertains these elements across various places in a multicultural form. Social and musical multiculturalism exists together in the several entertainment places in Istanbul. In this study, the relationship of place and music in Istanbul during the Ottoman period was investigated within the field of ethnomusicology in the context of acculturation and multiculturalism. Results revealed eleven types of musical places, seven of which were indoor and three of which were outdoor places. All of the places were examined separately within their conceptual, historical, musical and socio-cultural aspects.