Yazar "Kuyumcu, Hakan" seçeneğine göre listele

Listeleniyor 1 - 3 / 3
  • Küçük Resim Yok
    Öğe
    A STUDY ON TURKI HOOR, TURKISH BEAUTY
    (SELCUK UNIV, INST TURKISH STUDIES, 2018) Kuyumcu, Hakan
    Having come under the influence of Parsi/Persian during the First World War, The Urdu Theater and especially Bombay Parsis established numerous itinerant Natak theater companies such as Victoria, Original, Alfred and New Alfred. Initially, Parsi playwrights wrote plays for these companies and Urdu playwrights/authors after 1880 and poets began to join them. One of the prominent playwrights of the time, Agha Hashr Kashmiri (1879-1935) began to write plays with a decision he took after a harsh dialogue he had with Mehdi Hasan, another playwright who he met in Benares. Kashmiri's plays are dominated by a colorful imagination, humor and rhetorical power rather than an exaggerated poetic style. With a conscious effort, he raised people's tastes and standards. It is these qualities of his that distinguished him from his colleagues. His famous plays include Turki Hoor, Esir-e Hirs, Shahidnaz, Yahudi ki Larki, Khab-e Khasti and Rustem u Suhrab. The theater remained inactive for a long time as a branch of art not favored by Muslims in the Indian sub-continent. However, with the arrival of the Western people, it became a favorite branch of literature in the sub-continent again. Muslims, too, regarded this genre as the best means of reflecting their feelings and ideas to the people. They tried to treat many topics connected with the Ottoman State and its cultural structure through drama especially at the beginning of the Caliphate Movement process and afterwards. Turki Hur is one of the fine examples of these works. In this article drama written by Agha Hashr Kashmiri is analyzed technically and presented to the attention of the Turkish and World Theater enthusiasts.
  • Küçük Resim
    Öğe
    A study on Turki Hoor, Turkish beauty
    (Selçuk Üniversitesi Türkiyat Araştırmaları Enstitüsü, 2018) Kuyumcu, Hakan
    Having come under the influence of Parsi/Persian during the First World War, The Urdu Theater and especially Bombay Parsis established numerous itinerant Natak theater companies such as Victoria, Original, Alfred and New Alfred. Initially, Parsi playwrights wrote plays for these companies and Urdu playwrights/authors after 1880 and poets began to join them. One of the prominent playwrights of the time, Agha Hashr Kashmiri (1879-1935) began to write plays with a decision he took after a harsh dialogue he had with Mehdi Hasan, another playwright who he met in Benares. Kashmiri’s plays are dominated by a colorful imagination, humor and rhetorical power rather than an exaggerated poetic style. With a conscious effort, he raised people’s tastes and standards. It is these qualities of his that distinguished him from his colleagues. His famous plays include Turki Hoor, Esir-e Hırs, Shahidnaz, Yahudi ki Larki, Khab-e Khasti and Rüstem u Suhrab. The theater remained inactive for a long time as a branch of art not favored by Muslims in the Indian sub-continent. However, with the arrival of the Western people, it became a favorite branch of literature in the sub-continent again. Muslims, too, regarded this genre as the best means of reflecting their feelings and ideas to the people. They tried to treat many topics connected with the Ottoman State and its cultural structure through drama especially at the beginning of the Caliphate Movement process and afterwards. Turki Hur is one of the fine examples of these works. In this article drama written by Agha Hashr Kashmiri is analyzed technically and presented to the attention of the Turkish and World Theater enthusiasts.
  • Küçük Resim
    Öğe
    Urdu dilinde ve Türkçede sıfat işlevli tümce konusuna karşılaştırmalı bakış
    (Selçuk Üniversitesi Edebiyat Fakültesi, 2014) Kuyumcu, Hakan
    Bağlantılı dillerde isim veya fiil köküne çeşitli biçimbirimleri eklenir. Biçimbirimler her türlü türetme ve çekim işlemlerini gerçekleştirirler. Bu durumda Türkçede tümce anlambilimi açısından eklerinin çok önemli işlevleri yerine getirilir. Batı dillerinde rastlandığı gibi, Urdu dilinde de ikinci dereceden aktarmalar görülür. Bu aktarmalar bütün bir tümceyi bir başka düğüme aktararak ona bağlı bir işlev kazandırır ve bileşik tümceler meydana getirir. Dünyada dil tipolojisinde tümceleri Özne + Nesne + Yüklem dizilişiyle kurulan dillerden olan Türkçe ve Urdu dili tümce anlambilimi belirgin sözdizimi özelliklerinde benzerlikler gösterseler de, bileşik tümcelerin kuruluş özelliğinden biri olan sıfatlaştırma noktasında ayrılmaktadır. Bu makalenin amacı sıfat işlevli yan tümceleri açıklamak ve ortaya çıkan sorunları ele almaktadır. Bir Hint-Avrupa dili olan Urdu dilinden Türkçeye ve Türkçeden Urdu diline çeviri sırasında karşılaşılan zorunlukları çözümlemeye çalışacağız.