Embodied Time: Applied and Incidental Architectural Narratives

dc.authorid0000-0003-1080-9076en_US
dc.authorid0000-0003-0806-5274en_US
dc.contributor.authorDavies, Owen
dc.contributor.authorHanks, Laura
dc.date.accessioned2023-07-11T21:04:15Z
dc.date.available2023-07-11T21:04:15Z
dc.date.issued2022en_US
dc.departmentBaşka Kurumen_US
dc.description.abstractIn this analysis of storytelling through building, encompassing a search for practical applications for how future buildings can embrace the passing of time, narrativity has been categorised into: the ‘applied’ or ‘artificial’, meaning the construction of a directed story, identity or philosophy; and the ‘incidental’ or ‘organic’, the accidental erosion and patination caused by weathering and human use. In ‘Building Time’, David Leatherbarrow considers three groupings for his analysis of buildings inhabiting the temporal dimension. The ‘Time of the Project’, the alterations, adaptations and adjustments made to a building, can be considered a prototype for ‘applied’ narrativity, while his ‘Time of the World’ can be linked to the gathering of ‘incidental’ narrativity. Leatherbarrow’s third aspect, the ‘Time of the Body’, can be compared to the phenomenological aspects linking these categories together, directing human passage and activity through design cues and through the traces of those who have come before (Leatherbarrow, 2021). At times these categories overlap and intertwine with each other, mirroring the idea that in the communication of narrative the “the corporeal is not more fundamental than the intellectual, but… are entangled” (Austin, 2012: 108). In summary, the aim is for an architecture that may “articulate the experiences of our very existence” (Pallasmaa, 2009 :19). Therefore, as time passes and our experiences become history, we can still tell our stories through the medium of building. This methodology to create buildings with a high degree of ‘story-ness’ was later tested in the design of a new library and literary museum. Based in Nottingham’s Lace Market, the existing tale of County House, a derelict and crudely adapted Georgian townhouse, was clarified, curated and secured, while the adjacent plots provided opportunities to experiment with applied and incidental narratives told through new buildings..en_US
dc.identifier.citationDavies, O., Hanks, L. (2022). Embodied time: Applied and incidental architectural narratives. DepArch: Journal of Desing Planning Aesthetics Research. doi: 10.55755/DepArch.2022.10en_US
dc.identifier.doi10.55755/DepArch.2022.10en_US
dc.identifier.endpage53en_US
dc.identifier.issn2822-4175en_US
dc.identifier.issue2en_US
dc.identifier.startpage27en_US
dc.identifier.urihttps://hdl.handle.net/20.500.12395/48470
dc.identifier.volume1en_US
dc.language.isoenen_US
dc.publisherSelcuk Universityen_US
dc.relation.ispartofDepArch: Journal of Desing Planning Aesthetics Researchen_US
dc.relation.publicationcategoryMakale - Uluslararası Hakemli Dergi - Başka Kurum Yazarıen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.selcuk20240510_oaigen_US
dc.subjectApplieden_US
dc.subjectArchitectureen_US
dc.subjectIncidentalen_US
dc.subjectNarrativeen_US
dc.subjectTimeen_US
dc.titleEmbodied Time: Applied and Incidental Architectural Narrativesen_US
dc.typeArticleen_US

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