SİNEMA PERDESİNDE KIRILAN KARİZMA IŞIĞI: MAHATMA GANDİ
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Dosyalar
Tarih
2007
Yazarlar
Dergi Başlığı
Dergi ISSN
Cilt Başlığı
Yayıncı
Selçuk Üniversitesi
Erişim Hakkı
info:eu-repo/semantics/openAccess
Özet
Medeniyet tarihi isimleri yüzyıllarca unutulmayan pek çok ulusal direniş liderine tanıklık etmiştir. Mahatma Gandi adı dünyada neredeyse hemen herkesçe bilinen, emperyalizme ve sömürgeciliğe direniş dendiğinde akla ilk gelen direniş liderlerinden biridir. Gandi’nin emperyalizme karşı zaferle sonuçlanan eşsiz direnişini anlatan pek çok yazılı kültür ürünü bulunmaktadır. Görsel kültürün başat aktörü sayılan film sektöründe de 1992 yapımı Gandi filmi, bu eşine az rastlanır direniş karizmasını beyazperdeye beklenin aksine başarılı bir şekilde taşıyabilmiştir. Film lideri daha önceden tanımayan kitlelere tanıştırırken, tanıyanların da hayal dünyasına canlı bir misal olarak Gandi’yi ve ulusunun direniş hareketini yeniden sunmaktadır. Bu sunumdaki başarıda Ben Kingsley’in sıradışı oyunculuk performasının yanında filmin yapımında gerçekleştirilen üst düzey görselliğin rolü öne çıkmaktadır. Aday gösterildiği onbir oscarın dokuzunu kazanan film, film tekniğinin ve sinemalaştırma olgusunun tüm inceliklerini kullanarak Gandi karizmasını aslıyla veya daha fazlasıyla görsel kültürde ifade etmiştir.
The history of civilization has witnessed many leaders of national resistance whose names have ever been echoed throughout centuries. Mahatma Gandhi, too, has been a name that almost every single person over the world has been familiar with, and the first name that comes to minds if resistance against imperialism and colonization are in concern. There are numerous works of written culture dealing with peerless resistance of Gandhi against imperialism that has resulted in victory. Parallely, in the film sector - mainly considered to be pioneering actor of visual culture - too, the film Gandhi (1992), has been able to transform and adapt this charisma of resistance onto the white screen, with an overwhelming success, in contrast to the estimations. While introducing the leader to the masses not acquainted with him so far, the film re-presents Gandhi and the resistance action of his nation - in the way of incarnation - to the world of imagination of the ones already familiar with him. Upon this prosperous presentation, the role of the high-level visualization realized throughout the film, too, stands out, in addition to Ben Kingsley’s extraordinary acting performance. Nominated eleven and awarded nine of the Oscars, the Gandhi film mirrors the Gandhi charisma as it is, and sometimes larger, within the notion of visual culture by means of functionalizing all the niceties of film technique and cinematizing phenomenon.
The history of civilization has witnessed many leaders of national resistance whose names have ever been echoed throughout centuries. Mahatma Gandhi, too, has been a name that almost every single person over the world has been familiar with, and the first name that comes to minds if resistance against imperialism and colonization are in concern. There are numerous works of written culture dealing with peerless resistance of Gandhi against imperialism that has resulted in victory. Parallely, in the film sector - mainly considered to be pioneering actor of visual culture - too, the film Gandhi (1992), has been able to transform and adapt this charisma of resistance onto the white screen, with an overwhelming success, in contrast to the estimations. While introducing the leader to the masses not acquainted with him so far, the film re-presents Gandhi and the resistance action of his nation - in the way of incarnation - to the world of imagination of the ones already familiar with him. Upon this prosperous presentation, the role of the high-level visualization realized throughout the film, too, stands out, in addition to Ben Kingsley’s extraordinary acting performance. Nominated eleven and awarded nine of the Oscars, the Gandhi film mirrors the Gandhi charisma as it is, and sometimes larger, within the notion of visual culture by means of functionalizing all the niceties of film technique and cinematizing phenomenon.
Açıklama
Anahtar Kelimeler
Gandi, Gandi filmi, görsel kültür, film, sinema, karizmatik lider, Ben Kingsley, Attenborough, 1992 Oscar Ödülleri, Gandhi, Gandhi film, visual culture, film technique, cinema, charismatic leader, Ben Kingsley, Attenborough, 1992 Oscars
Kaynak
Selçuk Üniversitesi Sosyal Bilimler Enstitüsü Dergisi
WoS Q Değeri
Scopus Q Değeri
Cilt
Sayı
18
Künye
Mencütekin, M., (2007). SİNEMA PERDESİNDE KIRILAN KARİZMA IŞIĞI: MAHATMA GANDİ. Selçuk Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, 18, 367-392.
