Andre Gide ve Yeni Romancılarda Romanesk Karşıtlığı ve Erken Anlatı Tekniği
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Date
2004
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Selçuk Üniversitesi
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info:eu-repo/semantics/openAccess
Abstract
Bu makalede, Andre Gide’in yapıtlarında ve özellikle ilk romanım dediği Kalpazanlar romanında erken anlatı tekniğini nasıl uyguladığını göstermeye çalıştık. Gide’in ismini armalar ilminden aldığı bu teknik, romanın içine aynı romanın konusunun “mikro hikaye” halinde ele alınmasına yarar. Andre Gide, Balzac romanıyla zirveye ulaşan klâsik romanın geleneksel biçimlerine karşı çıkar. Bilindiği gibi, klâsik roman, duyguları, karakterleri, hareketleri derinlemesine tahlil eden bir sürü kişinin etrafında döndüğü ilginç ve sürükleyici bir olayı ele alır. Bundan dolayı Gide, romanesk unsurlar içeren bu geleneksel roman tipine karşı çıkar. Gide bu erken anlatı tekniğiyle geleneksel romanın romanesk biçimlerine aynı şekilde karşı çıkan Yeni Romancıları etkilemiştir. Yeni Romancılar roman hakkındaki düşüncelerini, klasik romana karşıtlıklarını romanları içindeki mikro hikayeler de ele alıp sorunsal hale getirirler. Bu orijinal teknik sayesinde romanlarına estetik bir derinlik vermeye çalışırlar. Gide ve Yeni Romancılar, romanlarının konusunu aynı roman içinde kişileri düzeyinde ele alıp, erken anlatı tekniğiyle bir ayna gibi yansıtmışlardır.
In this study, we tried to expose how Andre Gide uses the technique “mise en abyme”in his works and especially in his Counterfeiters he called as “his first novel”. This technique of which the name is taken from the heraldic science , consists of putting a second in abyme in the first. Gide and New Novelists such as Alain Robbe Grillet, Michel Butor, Nathalie Saraute and Claude Simon are opposing openly against the traditional forms of the classic novel which reached to the apex with the Balzac novel. As it is well know, the classic novel has a novel tradition based on strong fundamentals. It exposes a interesting and fascinating story around which are turning adventurously a great number of personages whose acts, behaviours and sentiments are deeply analysed. It is because of these romanesque elements that Gide and New Novelists rise up against the traditional novel by means of this narrative technique. The “mise en abyme” technique of Gide has a great influence on New Novelists which express their ideas on the novel, the romanesque elements, their opposition against the classic novel in their novel by putting micro-story where the personages discuss the subject of the roman in the interior of the same novel. Thus, Gide and New Novelists transpose, in the level of the personages, the subject of the novel firstly exposed in the micro-story , later progressed by the variants throughout all the novel.
In this study, we tried to expose how Andre Gide uses the technique “mise en abyme”in his works and especially in his Counterfeiters he called as “his first novel”. This technique of which the name is taken from the heraldic science , consists of putting a second in abyme in the first. Gide and New Novelists such as Alain Robbe Grillet, Michel Butor, Nathalie Saraute and Claude Simon are opposing openly against the traditional forms of the classic novel which reached to the apex with the Balzac novel. As it is well know, the classic novel has a novel tradition based on strong fundamentals. It exposes a interesting and fascinating story around which are turning adventurously a great number of personages whose acts, behaviours and sentiments are deeply analysed. It is because of these romanesque elements that Gide and New Novelists rise up against the traditional novel by means of this narrative technique. The “mise en abyme” technique of Gide has a great influence on New Novelists which express their ideas on the novel, the romanesque elements, their opposition against the classic novel in their novel by putting micro-story where the personages discuss the subject of the roman in the interior of the same novel. Thus, Gide and New Novelists transpose, in the level of the personages, the subject of the novel firstly exposed in the micro-story , later progressed by the variants throughout all the novel.
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Keywords
Roman, Erken anlatı, Gide, Yeni Romancılar, Novel, Mise en abyme, Gide and Nouveaux Romanciers
Journal or Series
Selçuk Üniversitesi Sosyal Bilimler Enstitüsü Dergisi
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Volume
Issue
11
Citation
Boyacıoğlu, F., (2004). Andre Gide ve Yeni Romancılarda Romanesk Karşıtlığı ve Erken Anlatı Tekniği. Selçuk Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, 11, 619-635.
