Mekan ve müzik: Osmanlı döneminde İstanbul’un çokkültürlü müzikli mekanları
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Tarih
2012
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info:eu-repo/semantics/openAccess
Özet
Kültürün bir unsuru olan müzik, yaratım ve tüketim açısından insanlar ve mekânlarla varolur. Müzik her tür mekânda sunulabilse de, farklı insanların müziği birlikte yaratıp, tükettikleri özel mekânlar vardır ki, bunlar müziğin kültürel unsurlarındandır. Bu mekânlar, aynı zamanda, müziğin yaratğm, seslendirme ve tüketim şeklini belirler. Bizans’tan günümüze kent kültürü olgusunu temsil eden İstanbul, bu özelliğini çeşitli mekânlarda çokkültürlü olarak gösterir. Toplumsal ve müziksel çokkültürlüğün aynı anda bulunduğu yerler ise, İstanbul’un çeflitli eğlence mekânlarıdır. Bu çalışmada, Osmanlı döneminde İstanbul’daki mekân ve müzik ilişkisi, etnomüzikoloji disiplini içinde, kültürleşme ve çokkültürlülük bağlamında araştırılmış, yedi kapalı ve üç açık olmak üzere, on bir müzikli mekân türü ortaya çıkmıştır. Bu mekân türleri, kavramsal, tarihsel ve sosyo-kültürel yaklaşımlarla ayrı ayrı incelenmiştir.
Music, as an element of culture, exists with society and its places through creation and consumption. Even if it is presented in everywhere, there are special places that people creates and consumes music together. These are the cultural elements of music. These places also determine how music is created, performed and consumed. İstanbul, which has been the representative of urban culture from Byzantium to the present, entertains these elements across various places in a multicultural form. Social and musical multiculturalism exists together in the several entertainment places in ‹stanbul. In this study, the relationship of place and music in ‹stanbul during the Ottoman period was investigated within the field of ethnomusicology in the context of acculturation and multiculturalism. Results revealed eleven types of musical places, seven of which were indoor and three of which were outdoor places. All of the places were examined separately within their conceptual, historical, musical and socio-cultural aspects.
Music, as an element of culture, exists with society and its places through creation and consumption. Even if it is presented in everywhere, there are special places that people creates and consumes music together. These are the cultural elements of music. These places also determine how music is created, performed and consumed. İstanbul, which has been the representative of urban culture from Byzantium to the present, entertains these elements across various places in a multicultural form. Social and musical multiculturalism exists together in the several entertainment places in ‹stanbul. In this study, the relationship of place and music in ‹stanbul during the Ottoman period was investigated within the field of ethnomusicology in the context of acculturation and multiculturalism. Results revealed eleven types of musical places, seven of which were indoor and three of which were outdoor places. All of the places were examined separately within their conceptual, historical, musical and socio-cultural aspects.
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76
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277