Disability and otherization: readings on cinema in the light of UD principles

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dc.contributor.authorBala, Havva Alkan
dc.contributor.authorUyaroğlu, İlkay Dinç
dc.date.accessioned2018-10-16T09:04:29Z
dc.date.accessioned2018-07-10
dc.date.available2018-10-16T09:04:29Z
dc.date.issued2018-08-31
dc.date.submitted2018-08-09
dc.descriptionDOI: 10.15320/ICONARP.2018.51en_US
dc.description.abstractCinema and architecture are universal with their inclusiveness in the mental process. The mental process is often generated by the sense of sight in modern times. In this sense, cinema, as a visual art, has started to take an active role in the intellectual, conceptual and creative actions of modern man. With the cinema, the realities of the virtual world have become more convincing than the dreams of the real world. It involves person-environment relationships which might not be ours but “look like ours”. Universal Design (UD) also puts forward a proactive interaction in-between man and environment. UD is based on equitable, flexible, intuitive, perceptible, tolerant-to-error access with appropriate size and space. While its conceptual basis with its guidelines are commonly constructed on the spatial needs of people with disabilities, it highlights disability does not focus on only permanent, visible, bodily or intellectual (dis)abilities. Every kind of "otherization" creates disability in society. This study aims to investigate how the relationship between architecture and disability in cinema is portrayed by reading through films that are masterpieces covering experiences of different disability groups. Using Visual Analysis method in the study, the codes and categories generated based on the UD Principles are associated with selected visual images and dialogues according to the frames of meaning of the scenes in the films. In this way, this study aims to question the location of UD parameters in physical and social environment through cinema.en_US
dc.identifier.citationBala, H. A., Uyaroğlu, İ. D. (2018). Disability and otherization: readings on cinema in the light of UD principles. Iconarp International Journal of Architecture and Planning, 6, 105-129.en_US
dc.identifier.endpage129
dc.identifier.issn2147-9380en_US
dc.identifier.startpage105
dc.identifier.urihttps://hdl.handle.net/20.500.12395/13060
dc.identifier.volume6
dc.language.isoenen_US
dc.publisherSelcuk University Faculty of Architectureen_US
dc.relation.ispartofIconarp International Journal of Architecture and Planningen_US
dc.relation.publicationcategoryMakale - Kategori Belirleneceken_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.selcuk20240510_oaigen_US
dc.subjectCinemaen_US
dc.subjectDisabled peopleen_US
dc.subjectSinemaen_US
dc.subjectEngelli insanlaren_US
dc.subjectOtherizationen_US
dc.subjectÖtekileştirmeen_US
dc.subjectFiziki çevreen_US
dc.subjectPhysical environmenten_US
dc.subjectUniversal designen_US
dc.subjectEvrensel tasarımen_US
dc.titleDisability and otherization: readings on cinema in the light of UD principlesen_US
dc.typeArticleen_US

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